Lizbeth Ortiz was born in Mexico City and moved with her family to the United States when she was only two years of age. It wasn’t until later in life when Lizbeth had an opportunity to live in Mexico City that she realized what culture and tradition meant. Culture and tradition to her became clearer as she began looking at her life and the intricate details her parents had deliberately woven into her character. Her upbringing was the start of a Mexican American culture of uniqueness which signified pride in the past, honesty, faith, and love of family.
Lizbeth attended the High School for the Performing and Visual Arts (HSPVA) in Houston, Texas, where she majored in visual arts and graduated in 1994. Her love and passion of the arts lead her to Pratt Institute in Brooklyn, New York where she majored in Fine Arts and Fashion Design.
Since graduating from HSPVA and attending Pratt Institute, she has developed a signature style of recycling materials and incorporating various modeling paste and gels into all of her art. Lizbeth is known for pushing peoples thinking around how materials are used and incorporated into the development of an art piece. As Lizbeth continues to further develop her signature style she has been successful in seamlessly combining painting and sculpture to create a product, which she cleverly likes to call paintatures. Lizbeth’s work delicately yet sternly reflects her social, familial and moral daily interpretation.
Lizbeth’s work intimately invites viewers to begin dialogue around provocative subjects depicted in her art. Colors and images are usually seductive and entice viewers to want to reach out and touch her masterpieces. Her creations share her passion and compassion for culture and tradition. Many of her works are themed around phases of love as a result of witnessing the September 11th terrorist attack. Lizbeth often says when describing her art “I witnessed a time when love was not scarce and as a result it ignited a love of life within me…” Lizbeth’s first solo show was in October 2001 which would become the first of many “Dia de los Muertos” exhibit for her to create. The show held in October 2001 marked the beginning of how she would celebrate the people that perished on September 11th in New York City.
As a member of the National Association of Latino Arts and Culture Lizbeth has been privileged to work and continues to collaborate with artist such as Amalia Mesa-Bains and Delilah Montoya. Additionally, as a Volunteer Advisory Board member of Neighborhood Centers Inc. – Ripley House she has been instrumental in organizing and securing space for emerging Houston artists to show their work. Lizbeth has made such a significant impact in the arts community that she has been featured and is part of Chuy Benitez's "Houston Cultura" series, showcasing emerging Latino art and cultural leaders in Houston. As the Performing and Visual Art Coordinator for the Multicultural Education and Counseling through the Arts Center (MECA) she organized visual art exhibits, and successfully helped expand MECA’s day of the Dead Celebration into one of the largest Day of the Dead celebrations in Houston. Lizbeth’s latest accomplishment is being named the Official Artist of the 2008 Latin Grammy Awards by the Latin Recording Academy. Lizbeth’s art graced the cover of the 2008 Latin Grammy Awards invitation, show tickets, poster and program book.
Today Lizbeth continues to collaborate with various community oriented organizations such as Teatro Bilingue de Houston (TBH), where she is currently teaching arts and crafts at the "Flor y Canto" Summer Camp. In her spare time she is organizing the 3rd Annual Frida Festival, "Viva La Vida" in collaboration with the Houston Institute for Culture.
Lizbeth’s passion for the arts can easily be described as capturing the innocence of her culture, the violence of a world that surrounds her and the tenderness of the people she encounters and loves.
“I strive to inspire my community through my canvas and paintbrush…”
Lizbeth Ortiz